Behringer DSP1124P Feedback Destroyer Pro

Digital 24-bit feedback suppressor. Parametric EQ with 24 full parametric filters.


You know the situation: your system is perfectly set up and carefully equalized. You've done everything possible to avoid problems. Then it happens: a mic too close to a speaker... ear-splitting feedback. Switch on a DSP1124P and you'll hear the difference immediately. Within fractions of a second, the Feedback Destroyer Pro's ingenious search algorithm locates feedback frequencies and sets extremely narrow, 1/60-octave filters, leaving the desired signal virtually untouched. The result: a rich, full sound without feedback. And without headaches.

Features
Digital 2-channel feedback suppressor/parametric EQ based on a high-power 24-bit DSP

20-bit A/D and D/A converters with 64/128 times oversampling

Automatically searches and suppresses feedback frequencies

24 programmable, fully parametric filters, adjustable manually or via MIDI

Single-Shot, Auto and Manual mode selectable for each filter

24-bit internal processing, professional 46-kHz sampling rate

Servo-balanced inputs and outputs with XLR and 1/4 in. TRS connectors

Internal power supply for professional use

Extensive MIDI implementation

Super-precise 8-segment LED level meters

"Future-proof" updatable software architecture

Technical Info
Analog Inputs Connectors: XLR and 1/4 in. jack

Analog Outputs Connectors: XLR and 1/4 in. jack

Bandwidth: 20 Hz to 20 kHz, -3 dB

Noise: > 94 dB, unweighted, 20 Hz to 20 kHz

THD: 0.0075 % typ. @ +4 dBu, 1 kHz, Gain 1

Crosstalk: < -76 dB

MIDI Interface: Type 5-Pin-DIN-Socket IN/OUT/THRU

Digital Processing: Converters 20-bit Sigma-Delta, 64/128x oversampling

Display: Type 2 1/2-digit numeric LED-Display

Power Consumption max. 15 Watts

Dimensions (H x W x D): 1-3/4 x 19 x 7-1/2 in. (44.5 x 482.6 x 190.5 mm)

Net Weight: 2 kg, approximately

Shipping Weight: 3 kg, approximately

DBX 120A Subharmonic Synthesizer

Produces a new bass note exactly an octave below the bass in the original audio.


Why just rock the house when you can rattle the foundation loose! For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJs and film & sound professionals to produce amazing impact. The dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. Its two separate bands of bass synthesis provide the best combination of smoothness and control. Low Frequency Boost helps you get the most out of high-performance low frequency speaker systems. Flexible I/O includes 1/4 in. and RCA inputs, main outputs which can be full range (including synthesis) or high frequency only, and a separate subwoofer out with its own level control.


Technical Info
Specifications

Frequency Response:
- 20 Hz-20kHz +/- 0.5dB (no synthesis, full-range mode)
- 15 Hz-90kHz +0, -3dB

Input Impedance:
- >40k ohms balanced
- 20k ohms unbalanced (1/4 in.)
- 20k ohms unbalanced (RCA)

Maximum Input Level: +22dBu (1/4 in.), +8.5 dBv (RCA)

Output Impedance: 100 ohms, Impedance balanced

Maximum Output Level: +22dBu into 600 ohms

Connector Type:
- 1/4 in. TRS jacks (Inputs and Outputs)
- RCA (Inputs)

THD: 0.05% (no synthesis, either output)

Output Noise: -88dBu, controls@max, 22Hz>22kHz unweighted (full range output)

Dynamic Range: 112 dB

Synthesis Frequency Range: 26-56Hz (from 54-110Hz input signal)

Dimensions: 1.75 x 19 x 6.2 in. (4.5 x 48.3 x 15.75 cm)

Rack Space: 1 Rack Unit

Weight: 4.75 lbs

Numark Fusion 494 CD DJ Package

Everything to get started: (2) Axis 4 CD players, DM950 Mixer and HF125 Headphones

Axis 4 Cd Player Features

Two seamless loop points and three stutter starts for creative expression

Built-in tap BPM counters

Fader/remote start and relay capability

? 8/16% pitch bend capability via rubberized pitch control wheel

Laser shutoff mode and auto-retractable media trays ensure reliable operation

DM950 Mixer Features
Switchable inputs accommodate upward of four line level signals, two phono inputs, and a microphone

Two-band rotary EQ, independent gain control, and Phono/Line switches on each channel

Replaceable crossfader

HF125 Headphone mixer
Flexible, 7-position independently adjustable dual ear cups

Large 40mm Mylar drivers

6-ft tangle resistant cord with a 1/4-inch

phone plug connector

Numark DJ in a Box DJ Package

2 TT1550 belt-drive turntables. DM950 2-channel + mic mixer. HF125 flexible 7-position dual headphones


The Numark BattlePack DJ In A Box has everything a DJ needs to spin. That is, everything but records. This DJ package from Numark contains 2 x TT1550 multi directional efficient belt-drive turntables, a DM950 2-channel + mic mixer with EQ on each channel and slide style cueing, and HF125 flexible 7-position dual headphones.

HF-125 Headphones

Flexible 7-position independently adjustable dual ear cups

Large 40mm mylar speaker drivers

6 ft. tangle-resistant cord with ? in. (6.3mm) plug

Padded headband & ear cups

Hosa MSK411 Musician's Survival Kit

Adaptors, connectors, Y-cables and accessories in a handy carrying case


Essential Adaptors, Connectors, Y-Cables, and Accessories That Might Just Save Your Gig Tonight!

When the gig is on the line and something unexpected happens, it's nice to know that you're prepared. Throw Hosa's Musician's Survival Kit into your gig bag and you'll have at your fingertips the most useful collection of adaptors, connectors, Y-cables and accessories imaginable. These pro-quality items are indispensable for the repairs and "workarounds" that you may need to keep the show on the road!
Technical Info
Adaptors:
2 - GPR-101 RCA Female to 1/4 in. Male

2 - GPR-104 1/4 in. Female to RCA Male

1 - GPP-105 Coupler: 1/4 in. Female to 1/4 in. Female (Works with Stereo or Mono)

1 - GPM-103 Headphone Adaptor: 3.5mm Stereo Female to 1/4 in. Stereo Male

1 - GMP-112 Headphone Adaptor: 1/4 in. Stereo Female to 3.5mm Stereo Male

1 - GXP-143 XLR Female to 1/4 in. Male (Works with Balanced or Unbalanced)

1 - GXP-246 XLR Male to 1/4 in. Male (Works with Balanced or Unbalanced)

Connectors:
2 - Dual Banana Connectors (1 Red, 1 Black)

1 - PLG-025 Mono 1/4 in. Plug

Y-Cables
1 - YPP-111 Mono 1/4 in. Male to Two Mono 1/4 in. Females

1 - YPP-117 Stereo 1/4 in. Male to Two Mono 1/4 in Females

Accessories:
1 - MHR-225-100 Microphone Holder (25mm)

1 - WTI-148G Hook & Loop Cable Wraps (5 pieces)

12 - RMC-180 Rack Screws and Washers

PreSonus Monitor Station Studio Control Center

Provides talkback, speaker switching, input source switching and four ultra loud and clear headphone amplifiers


The PreSonus Monitor Station is the ultimate desktop monitoring and communications system for your recording studio. Based on the award-winning Central Station, the Monitor Station provides talkback, speaker switching, input source switching and four ultra loud and clear headphone amplifiers delivering everything you need to control your recording environment.

Features

Main speaker volume adjustment

3 stereo inputs (two balanced TRS, one RCA Aux/Phono)

Three sets of balanced TRS speaker outputs each with level adjustment

Talkback microphone with volume control to feed headphone and Cue output

XLR input for external dynamic talkback microphone

Accurate dual 8-segment LED for metering

4 loud and clear headphone amplifiers with separate volume control and independent input source selection

Main and Cue stereo output with independent input source selection

Dim with variable level adjustment

Aux and Phono level adjustment

Mute and Mono

Input Switching
The Monitor Station allows you connect up to three input audio streams (TRS1, TRS2, Aux/Phono) allowing you to switch between and compare different inputs. One application is used to connect your computer recording system main outputs to the TRS 1 inputs and a CD player's outputs to the Aux inputs on the Monitor Station to compare your mix with a commercial CD with the touch of a button.

Speaker Switching
Three sets of speaker outputs are loaded on the Monitor Station allowing you to audition your mix on different speakers to take the guessing out of how your mixes will translate in the real world.

Main and Cue Routing
The Monitor Station allows each of the stereo inputs (TRS1, TRS2, aux) to be routed to one of two audio paths, main and cue. The Monitor Station allows you to route two separate signals (Main and Cue) to each of the four headphone amplifiers. Send a mix with click track to TRS 2 input while sending the main mix to TRS 1. You can then enable the headphone amplifiers to listen to either cue or main mix. The main audio path always feeds what you will hear in the control room.

Total Communication
Communication during recording is essential. No more yelling when you need to talk to the musicians wearng headphones. Use the Monitor Station talkback system with onboad or external microphone to communicate with the musicians.

Customize Your Monitor Station
Three different functions on the Monitor Station can be set and saved during power up so that you can customize your recording system for the way you work.

Input selection can be set in either summing mode (TRS1, TRS2, and Aux/Phone are summed together when engaged), or in toggle mode (TRS1, TRS2, and Aux/Phono can only be selected one at a time).

Speaker selection can either work in all on mode (speaker A, B and C can be engaged simultaneously), in toggle mode (speaker A, B, and C can only be selected one at a time), or in subwoofer mode (A and B are selectable while C can be selected with A or B).

The Monitor Station's LED signal meters can also be set in three different modes for various signal levels (-10dB, +4dB and +10dB).

Headphone Amplifiers that go to 11
PreSonus has built a reputation for delivering the best-sounding headphone amplifiers available. Each of the four headphone amplifiers loaded in the Monitor Station deliver 150 milliwatts and are able to power any headphone with as much loud and clear volume needed for everyone in the band, including the drummer.
Technical Info
Audio Inputs

ST1 and ST2:
- Type: 1/4 inch TRS Active-Balanced
- Input Impedance: 10K Ohm
- S/N Ratio: Greater than 110dB
- THD+N: Less than .0075% (1Khz @ 0dBu)
- Frequency Response: 10Hz to 65KHz, -.5dB
- Noise Floor: -96dBu, 20Hz to 20KHz, 150 Ohm Input Termination
- Maximum Input Level: +22dBu, 0.5%THD+N

AUX:
- Type: RCA Active-Unbalanced
- Input Impedance: 47K Ohm
- S/N Ratio: Greater than 115dB (1KHz @ 0dBu, Unity gain)
- THD+N: 0.01% (1KHz @ 0dBu, Unity gain)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to +10dB
- Phono Mode Gain: 32dB @ 1KHz
- Phono Mode THD+N: 0.05%
- Phono Mode Noise Floor: -72dBu, 40dB gain, Inputs shorted

Audio Outputs

Speakers:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- Trim Range: -80dB to 0dB
- Main Level Range: -80dB to 0dB
- Dim Attenuation Range: -30dB to -6dB

Main:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than 0.0025%
- Frequency Response: 10Hz-50KHz, -.5dB

Cue:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than .003% (1KHz @ 0dBu)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to 0dB
- Dim Attenuation: -20dB (Talkback activated)

Headphones:
- Type: 1/4 inch TRS Active Stereo
- Maximum Output: 150mW/channel @ 60 Ohm load
- THD+N: 0.015% (150mW/channel @ 60 Ohm load)
- Frequency Response: 10Hz-50KHz, +1dB

Talkback

Dynamic Microphone Input:
- Type: XLR Female Balanced
- Input Impedance: 2400 Ohm

Internal Microphone:
- Type: Electret Condenser
- Sensitivity: -42dB

Mic Preamp:
- Gain Range: 15-55dB

Input Meters:
- Type: Dual 8 segment LED w/ Peak Hold
- Range: -26dBfs to 0dBfs

Power Supply
Type: External A.C. Transformer/Internal Linear

Power Consumption: 10VA

Mackie Big Knob Studio Control Center

The Must-Have Audio Command Center for Desktop Studios


Since the dawn of computer-based music making, folks have longed for a simple monitor switching and level control box with built-in Talkback functions. You know, something that sits right on your desktop, letting you easily switch between sets of studio monitors and different stereo sources. And send musicians custom headphone mixes while you communicate with them via a built-in Talkback microphone.

Introducing The Big Knob
The Big Knob is a simple yet powerful desktop audio control center that lets musicians and engineers get right to the business of making music in four major ways: Level Control, Studio Monitor Selection, Input Source Selection and Talkback & Headphone Control.

Precise Level Control
Using a big, convenient volume knob, Big Knob lets you adjust volume levels the way our ancient audio ancestors (Analogus Engineerus) did - with a simple, intuitive knob, not with a mouse and screen. The end result is a higher degree of precision and much quicker level adjustments.

Monitor Selection
When it comes to mixing, pros know it's best to get a second, and third, opinion. So Big Knob lets you quickly switch between 3 pairs of studio monitors, or 2 studio monitors and a subwoofer, or studio monitors and a home stereo, or any other combination of powered speakers.

Source Selection
On the input side, Big Knob lets you connect up to 4 stereo input sources at once. This means you can simultaneously connect to your computer/DAW outputs, CD player, cassette deck and even a turntable using the premium onboard RIAA preamp. You can even connect keyboards, guitars, drum machines, samplers - anything you'd like to hear - through your monitors. This makes Big Knob great for comparing your mixes-in-progress to your favorite CDs, for archiving your old LPs, jamming along to your favorite tune, and lots more.

Talkback Section & Headphone Control
With its built-in Talkback mic and spring-loaded activation switches, Big Knob lets you quickly communicate with musicians in both the studio and tracking room - no more hand signals through the glass! Big Knob also sports two high-powered headphone outputs with a discrete headphone mix bus, solving the communications needs of most computer-based studios.

All the Right Connections
Although its shiny silver knob is a head-turning feature, Big Knob's rear panel is equally impressive. There you'll find three distinct Monitor outputs with individual level control; 2-Track A and 2-Track B stereo outputs with level selection switches; a DAW stereo output for your computer; a Studio output with level control; a Phones Mix input with level selection switch; 2-Track A and 2-Track B Stereo Source inputs with level control; a DAW Mix input from your computer with level control; and even a Phono input with level control for direct connection to your turntable.

Sound Quality
Because Big Knob plays a crucial link between recording output(s) and studio monitors, we placed the utmost importance on pristine, no-compromise sound quality. For this reason, Big Knob features ultra low-noise op amps, extremely low-tolerance components and state-of-the-art surface mount technology. All of this ensures superb sound in critical listening environments and long-term reliability - even under daily, and nightly, studio use.

Applications
Big Knob is perfectly suited to a range of applications beyond desktop music making, including home stereo systems, keyboard/guitar rigs, high-end multimedia systems, archiving LP's to CD, classrooms and boardrooms, and more.

Features
Tabletop level control / monitor switcher / source selector & talkback box

Big, convenient volume knob for precise level adjustments

Switch amongst 3 sets of studio monitors

Built-in Talkback microphone for easy communication with musicians

Monitor 4 independent Stereo inputs including one for your DAW Mix

Dual Headphone outputs with independent volume controls and headphone mix bus

Phono preamp for direct turntable connection

High-end studio sound quality and robust construction

Perfect for computer-based studios

Humorous product name ensures years of off-color studio humor

Tascam DP02 8-Track Hard Disk Recorder with CDRW

New streamlined unit with a built-in CD-RW recorder, 40GB hard drive, and USB 2.0 connection


Tacam's DP02 makes recording simple by matching 8-track CD-quality recording with a Portastudio interface - so you can ditch the menus and concentrate on the music. A pair of record-quality Tascam mic pres feature XLR inputs with phantom power for condenser mics and a guitar in for direct recording. Each channel gives you dedicated controls for instant access to fader level, record arm/track mute, pan, effect send, high and low EQ. There's also an EQ frequency button for finer control over the mix.

Two effects processors are included in the DP02. A multieffects processor on the input provides great-sounding overdrive, flange, delay and more for your guitar, vocal, drum and bass tracks. In addition, there's a reverb processor on a send and return for adding hall, room, plate or chamber reverb to your mix. The DP02 is loaded with great Tascam extras like a chromatic tuner, metronome, and bar-and-beat display for getting around your song.

The DP02 records two channels at a time to a built-in 40GB hard drive. When you're satisfied with your production, arm the dedicated master track for your stereo mixdown. You can transfer your tracks and mixes or backup your song to a computer through a speedy USB 2.0 connection or burn it to a CD with the slot-loading drive. No other workstation makes recording so simple, affordable and fun as the Tascam DP02.

Features:

Two XLR mic/line inputs with phantom power for condenser microphones

Eight-track recording at uncompressed 44.1k/16-bit audio quality

Portastudio-based interface with volume fader, pan, effect send, high and low EQ controls per channel

EQ frequency button to access high and low EQ shelf frequencies

USB 2.0 interface for transferring tracks, mixes and backup files to a computer

Dedicated stereo master track for mixdown

Internal metronome and bar/beat display for song position

Headphone output

Stereo line outputs on RCA analog and S/PDIF optical digital connectors

40GB internal hard drive

Multieffects processor with guitar, bass, vocal and drum programs

Stereo reverb processor with send/return controls for multichannel mixing

Built-in chromatic tuner

Built-in CD-RW burner for CD mastering and song backup

Roland TD3 Percussion Sound Module

114 new, high-quality drum and percussion sounds arranged into 32 kits, plus an easy-to-use interface so you can start playing right away


A High-Quality Drum Module with Rhythm Training Exercises
The TD-3 Percussion Sound Module boasts 114 new, high-quality drum and percussion sounds arranged into 32 kits, plus an easy-to-use interface so you can start playing right away. Finding the right drum kit is simple: just use the Phrase Preview function to hear a short demo for each kit. Each kit's sounds can be enhanced using 15 types of built-in Ambience effects and compression. And with Roland's enhanced Rhythm Coach onboard, drummers can improve their timing, speed and endurance using several rhythm-training exercises. The back of the module features nine trigger inputs, making it possible to add more pads like Roland's mesh PD-80R for snare. A stereo Mix input lets you play along with external audio sources, while MIDI In and Out let you connect with sequencers and more.

The TD-3 is one cool module - the sounds are uniformly excellent, the ambience control is very organic, the compressors sound perfect for drums and the coach is just plain fun. It tells you if you rush or drag against the click or it takes you through exercises. One mode speeds up slowly; another drops out every few measures to test your timing. Another exercise steps you through a variety of different patterns to practice against.

Roland TD12 Electronic Drum Module

COSM-modeling drum module with ultra-intuitive operation via large LCD. Same great sound quality as top-of-the-line TD-20


The new TD-12 drum module is an upgrade from the previous TD-8, sharing the same stunning sound quality as the flagship TD-20.

Features
COSM-modeling drum module with ultra-intuitive operation via large LCD

Same great sound quality as top-of-the-line TD-20

Unbeatable sounds with expressive acoustic kits, fun tap-sequence kits, and plenty of jam-along patterns

Unrivaled V-Editing including drum material modeling and size selection

Unbeatable sound
With the same stunning sound quality as the flagship TD-20, the new TD-12 drum module provides hundreds of expressive instruments and play-along sequences in a streamlined, affordable package. Many of the sounds in the TD-12, from drums to cymbals, are COSM modeled for the ultimate in expression and realism. The module provides the same large, icon-based LCD as its big brother (the TD-20), and is housed in a road-tough, metallic black chassis with a friendly array of buttons, controls, and mix sliders. Twelve trigger inputs are provided, plus four audio outputs and MIDI I/O.

Unrivaled V-Editing
Enjoy the dozens of expert-programmed kits in the TD-12 -- from authentic acoustic sets to ultra-modern electronic flavors. But the fun doesn't stop there; customize your snare drum, toms, bass drum, and cymbals with the modeling-based V-Editing. Change sizes and materials, attach sizzles to cymbals, increase snare buzz, and more. Then get out your sticks and enjoy! The TD-12 supports positional sensing on the snare and ride, as well as on the toms when you play rimshots. The TD-12 is also brush compatible, and features the expressive Interval Control feature for the snare and ride/crash/china cymbal, which varies the sound in natural ways based on the speed of stroke repetition.
Technical Info
Sound Generator: variable drum modeling

Maximum polyphony: 64 voices

Instruments:
-- Drum Instruments: 560 (172,161 variations)

-- Backing Instruments: 262

Drum kits: 50

Drum kit chains: 16 chains (32 steps per chain)

Instrument V-EDIT parameters:
-- Kick: shell depth, head type, head tuning, muffling, snare buzz

-- Snare: shell material, shell depth, head type, head tuning, muffling, strainer adjustment

-- Tom: shell depth, head type, head tuning, muffling, snare buzz

-- Hi-hat: cymbal size, fixed hi-hat

-- Cymbal: cymbal size, sizzle type, sustain

-- Edit: pitch, decay

Ambience parameters: room type, room size, wall type, mic position, room shape

Mixer parameters: volume, pan, minimum volume, output assign

Effect types:
-- Pad equalizer (each pad)

-- Pad compressor (each pad)

-- Multi-effects: 5 types

-- Reverb (for backing part)

Percussion sets: 8

Sequencer:
-- User patterns: 100

-- Preset patterns: 150

-- Parts: 6

-- Play type: oneshot, loop, tap

-- Tempo: 20 - 260

-- Resolution: 192 ticks per quarter note

-- Recording method: realtime

-- Maximum note storage: approx. 20,000 notes

-- Click instruments: 20

Connectors: trigger input jacks x 12, hi-hat control jack, master output jacks (L/MONO, R) 1/4 in. phone type, direct output jacks (1, 2) 1/4 in. phone type, headphones jack (stereo 1/4 in. phone type), Mix in jack (stereo 1/4 in. phone type), MIDI Connectors (IN, OUT/THRU)

Output impedance: 1.0 kilohm

Power supply: AC 117 V (50/60 Hz)

Power consumption: 13 W

Accessories: owner's manual, power cord

Dimensions (W x D x H): 10 1/4 x 9 13/16 x 4 1/4 in.

Weight: 5 lbs. 2 oz.

Lucid GENx192 Low Jitter Studio Master Clock

Extremely low-jitter master clock reference


Designed to fit in a variety of digital audio situations, the GENx192 provides an extremely low jitter master clock reference in a variety of digital audio formats. Capable of handling sampling frequencies up to 192kHz, this unit will be a versatile companion in any digital audio application including recording and broadcast scenarios. It offers an extraordinary package in terms of jitter performance, connectivity and flexibility, all at a reasonable price point.

The GENx192 has two operating modes, accessed through a very straightforward front panel interface. A Sync Source select knob allows the operator to choose between internal reference and distribution functions. In distribution mode an external AES or Word Clock sync source fed into the device appears at each of the GENx192's fourteen sync outputs.

When operating in Internal mode the GENx192 generates an ultra low jitter sync reference at frequencies up to 192kHz. Its fourteen outputs are split into two groups of seven, each capable of generating an independent multiple of the base frequency. Thus, the device is capable of generating two different frequencies, such as 96kHz and 192kHz, simultaneously.

The unit also includes circuitry that examines the word clock connections and indicates, via a rear-panel LED, whether that particular connection is properly terminated. This feature will help users resolve one of the most common digital audio problems -- improper termination. This condition leads to clicks, pops, and other symptoms of incorrect digital sync.

Features:
8 Word clock outputs

4 AES-11 (audio black) clock outputs

2 S/PDIF (audio black) clock outputs

Clock outputs divided between two banks allowing different clock multiples to be output simultaneously

AES-3/11 input

Word clock input

Clock output range selectable from 44.1-192 kHz

Automatic word clock termination sensing and indication

Straightforward setup and operation via front panel - only three switches with clear LED status indication

Applications:
Multitrack recording

Mastering

Broadcast

DAWs or desktop recording interfaces
Technical Info
Controls:
Sync Source switch selects Internal, Word, or AES clock sources
A Outputs switch selects the clock multiplier for the A bank of outputs
B Outputs switch selects the clock multiplier for the B bank of outputs

LEDs:
LED indications for Lock and Sample Rate
Term indicators show under, over and proper termination on each Word clock input

Connectors:
8x (2 banks of 4) Word clock outputs (female BNC)
4x (2 banks of 2) AES clock outputs (male XLR)
2x (2 banks of 1) S/PDIF clock outputs (female RCA)
1x Word clock input (female BNC)
1x AES clock input (female XLR)
1x Power (7-pin female DIN)

Internal clock range: 44.1, 48, 88.2, 96, 176.4 and 192 kHz selectable

External sync range: 30-200 kHz, +/- 100 ppm

Input impedance: 75 Ohms, Word and S/PDIF; 110 Ohms, AES

Output impedance: 20 Ohms

Electrical: 100-240 VAC, 50-60 Hz, 25 Watts maximum

Size: 1U (WDH: 48.26 cm x 20.96 cm x 4.369 cm /19 in x 8.25 in x 1.72 in), depth does not include connector allowance

Shipping Weight: 3.48 kg / 7.68 lbs

Behringer MS16 Active Personal Monitor System

2-way stereo speaker system. 4 in. woofers. RCA and 1/8 in. inputs


Behringer MS16 Active Personal Monitor System
The Behringer MS16 is a compact 2-way stereo speaker system for home studio or multimedia applications and instrument or vocal monitoring. Two high-power amplifiers drive the 4 in. woofers and the high-resolution tweeters. The front-mounted volume control and individual bass and treble controls make accurate sound adjustments a breeze. Two stereo line inputs (RCA and 1/8 in. TRS) allow simultaneous use of two stereo sources, so you can play back CDs, MDs or MP3s and use an electric guitar/keyboard at the same time. In addition, the 1/4 in. TRS microphone input lets you mix vocals with a stereo track. Magnetic shielding and compact size make these speakers perfect for placement near video monitors or computer displays.

Features

Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring etc.

Powerful 4" woofers and high-resolution tweeters powered by two 8-Watt amplifiers

Dedicated volume, bass and treble controls for more flexibility

Stereo RCA inputs for sound cards, keyboards etc. that can be used simultaneously with second stereo source (e.g. CD/MD player) through 1/8" TRS stereo input

Separately adjustable 1/4" TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications

1/8" TRS headphone connector with auto-mute loudspeaker function

Magnetically shielded for placement near computer monitors

Conceived and designed by BEHRINGER Germany

Focusrite Platinum Voicemaster Pro

Latency-free monitoring. Routing flexibility


DESCRIPTION
With every project, you need to capture that perfect vocal and make the sound your own. VoiceMaster Pro represents a new generation of voice recording equipment.

Many of the elements from the award-winning VoiceMaster have been innovated upon. In addition, the unit features a whole host of new processors designed to ensure you have all you require to make the most of the artist you're recording.

The award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimized EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording.

Add the optional 24-bit, 96 kHz digital output board to make the VoiceMaster Pro the perfect interface between your microphone and your DAW or other recording media, placing the ultimate tracking solution firmly within your grasp.

Summary of the Differences Between VoiceMaster Pro and the Original VoiceMaster

VoiceMaster Pro has...

Latency-free monitoring section -- a separate stereo monitoring circuit that allows the user to monitor vocal + FX loop (e.g. to add reverb) + mix played back from e.g. DAW and control levels of these three sources, removing latency. (VoiceMaster has no monitoring section.)

24/96 digital output option, using the same A/D card as Penta and Trak Master. (VoiceMaster has no digital connectivity.)

Backlit VU output meter (VoiceMaster has no VU meter)

Instrument input in addition to line and mic inputs.

Insert send and return, between mic pre and expander. (VoiceMaster has no insert.)

Vintage Harmonics section. (VoiceMaster has only tape saturation simulator.)

Routing flexibility -- Vintage Harmonics and Compressor order can be reversed, and compressor and EQ order can also be reversed, hence 4 combinations of these 3 sections possible. (VoiceMaster has fixed processing block order.)

2U chassis. (VoiceMaster is 1U.)

6-LED input meter. (VoiceMaster has only single LED.)

6-LED expander meter. (VoiceMaster has only 4-LED meter.)

New lower noise opto compressor.

New lower noise opto expander.

New Tube Sound section. (VoiceMaster has none.) VoiceMaster Pro circuit also includes new tone control feature and sexy, 3-colour large LED.

More flexible EQ - now has frequency shift for HF (10k or 14k) and depth of notch filter ("absence") can now be varied. (VoiceMaster has no HF shift and fixed depth of notch.)

New de-esser- now features the ISA 430 de-esser - includes the 'listen' function, so that the sidechain of the de-esser can be isolated, making setting up the frequency to de-ess very easy.

6-LED De-esser meter. (VoiceMaster has only single LED.)

L+R Monitor inputs and outputs. (VoiceMaster has none.)

FX mono send and stereo return. (VoiveMaster has none.)

Technical Info
Mic Input Response

Gain range = 0 dB to 60 dB continuously variable.

Input Impedance = 1K4 W from 10 Hz to 200 kHz.

EIN = 128 dB measured at 60 dB of gain with 150 W terminating impedance and 20 Hz/22 kHz bandpass filter.

THD at minimum gain (0 dB) = 0.0004% measured with +16 dBu input signal and with a 20 Hz/22 kHz bandpass filter.

THD at maximum gain (60 dB) = 0.003% measured with a 36 dBu input signal and with a 20 Hz/22 kHz bandpass filter.

THD at maximum input level (26.5 dBu) = 0.005% measured with a 20 Hz/22 kHz bandpass filter.

Frequency response at minimum gain (0 dB) = flat at 10 Hz and 2 dB down at 200 kHz.

Frequency response at maximum gain (60 dB) = 2 dB down at 10 Hz and 200 kHz.

CMRR at full gain (60 dB) = 80 dB.

Line Input Response

Gain range = -10 dB to +10 dB continuously variable.

Input Impedance = 10K W from 10 Hz to 200 kHz.

Noise at main output with gain and fader set to unity (0 dB) = -94 dBu measured with a 20 Hz/22 kHz bandpass filter.

Signal to noise ratio relative to max headroom (27 dBu) = 121 dB.

Signal to noise ratio relative to 0 dBfs (+22 dBu) = 116 dB.

THD at unity gain (0 dB) = 0.0006% measured with 0 dBfs (+22 dBu) input signal and with a 20 Hz/22 kHz bandpass filter.

Frequency response at unity gain (0 dB) = 0.25 dB down at 10 Hz and 3 dB down at 200 kHz.

Instrument Input Response

Gain range = 0 dB to 40dB continuously variable.

Input Impedance = > 1 Meg W.

Noise at minimum gain (0 dB) = -90 dBu measured with a 20 Hz/22 kHz bandpass filter.

Noise at maximum gain (40 dB) = -78 dBu measured with a 20 Hz/22 kHz bandpass filter.

THD at minimum gain (0 dB) = 0.006% measured with +10 dBu input signal and with a 20 Hz/22 kHz bandpass filter.

Frequency response at unity gain (0 dB) = 0.5 dB down at 10 Hz and 1 dB down at 200 kHz.

Frequency response at maximum gain (40 dB) = 6 dB down at 10Hz and 1dB down at 200KHz.

Input Meter

6 LED peak reading meter is calibrated relative to 0 dBfs where 0 dBfs = +22 dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs).

High Pass Filter

Roll off = 18 dB per octave 3 pole filter.

Frequency range = continuously variable from 30 Hz to 400 Hz measured at the 3 dB down point.

Optical Expander

Threshold hold range = -20 dBfs (0 dBu) to ?60 dBfs (-40 dBu).

Expander ratio = 2:1

Attack time = 750

Audio Technica AT2020 Studio Microphone

20 - 20,000 Hz Frequency Response. High SPL handling. Ideal for project/home-studio applications


Professional-quality performance for any application!
Large-diaphragm condenser mics are often favored for vocal and acoustic instrument performances because they bring warmth and richness to live performance and recording sessions. The AT2020 from Audio-Technica combines the valued characteristics of these condenser mics with an open, airy quality for the most natural representation of your music.

Side-address design captures room ambience
The AT2020's side-address element is different than most condenser mics because of its open design. The average condenser mic catches your audio source down inside the capsule, which can lead to a pristine, but slightly sterile track. Side address mics preserve the natural ambience of the room, so your tracks are filled with the airy, dynamic quality your ears expect to hear. External processors can inject artificial environmental characteristics back in to your audio source, but with the AT2020 there's no need. Your tracks will already sound natural, blending into the mix with little effort.

Cardioid pickup pattern
While its side-address design opens up the performance, the AT2020 uses a cardioid pickup pattern for improved aiming control. The condenser element focuses on sources directly to the front, while rejecting unwanted sounds from the sides and to the rear. As a result, you bring 'the room' into your recordings, but only the parts you want. This isolation makes it possible to record multiple tracks simultaneously without one track bleeding into the next. In a live situation, you can position the AT2020 for the best pickup of your intended source without worrying about feedback problems from loudspeakers or other microphones. Your audience can focus on the music with no distractions.

High SPL handling
Many musicians shy away from condenser mics because they tend to be more 'delicate' than dynamic mics. Audio-Technica makes their mics to be used in the real world, not pampered for fear of damage. The AT2020 is rated at a maximum Sound Pressure Level of 144 dB, so it can accurately reproduce loud instruments and strong vocals with clarity and precision. A jackhammer at a distance of one meter measures approximately 100 dB SPL, so you get an idea of the AT2020's capabilities.

Wide dynamic range
While 'maximum loudness' is important, it is only part of the picture. The AT2020 also has an impressive 124 dB dynamic range. This means it can reproduce the quietest sounds as faithfully as the big booms. For acoustic instruments such as drums, pianos, and guitars, dynamic range is crucial for bringing out all of the expressiveness in a performance. From whisper-quiet vocal parts to thunderous crescendos, you hear all the subtle differences that bring mood, tension, and diversity to your performance. If you have added these elements to your music, it is important for the audience to hear them. The AT2020 will make sure they do.

Innovative condenser element
These impressive ratings are made possible by unique engineering of the condenser element. Condenser microphones rely on a polarizing voltage to reproduce sound. The AT2020 requires 48V phantom power, so be sure your mixer or microphone preamp supplies this voltage. Most condenser mics send the charge directly to the diaphragm element, which needs to be thick enough to handle the incoming voltage. Audio-Technica instead runs the voltage to the back-plate of the condenser, so the diaphragm can be much thinner and more responsive. In many cases, the diaphragm is just 2 microns thick. That's less than 1/10,000h of an inch! All this technology translates into better sonic definition, and cleaner, clearer tracks. You'll spend less time mixing and editing in the studio and less time tweaking settings live, because your tracks will start off already sounding great.

Ultra-quiet performance
Thinner, low-mass diaphragms also have the advantage of reducing handling noise. Sensitive condenser mics often pick up subtle vibrations from the mic stand or through the floor, which can lead to tedious editing and possibly unusable tracks. The AT2020 limits these intrusions into your tracks for the cleanest possible signal. Studio engineers are always under a time crunch. Why add unnecessary steps if you don't have to? The AT2020 lets you start off with high-quality source material for quicker turnaround time on all your projects. The package includes a threaded, pivoting mount for use with any mic stand, and a soft, protective pouch for storage and transport.

Description
Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to an extremely affordable price point in home/project studio microphones.

The price/performance standard in side-address studio condenser microphone technology.

Ideal for project/home-studio applications.

High SPL handling and wide dynamic range provide unmatched versatility.

Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response.

Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone.
Technical Info
Element: Condenser

Polar Pattern: Cardioid

Frequency Response: 20 - 20,000 Hz

Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa

Impedance: 100 ohms

Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D.

Signal to Noise Ratio: 74 dB, 1 kHz at 1 Pa

Dynamic Range (Typical): 124 dB, 1 kHz at Max. SPL

Phantom Power Requirements: 48V DC, 2 mA typical

Noise: 20 dB SPL

Weight: 12.1 oz (345 g)

Output Connector: Integral 3-pin XLRM-type

Accessories Furnished: Stand mount; 5/8 in. - 27 to 3/8 in. - 16 threaded adapter; protective pouch

Rode NT1A Studio Condenser Microphone

Low distortion. Higher SPL capability. SM1 shockmount included


Pro-quality mic for home studios!
Up until the late 80's, high-quality condenser mics were only offered by boutique manufacturers at boutique prices. None but the biggest corporate recording studios could afford them. Around the same time, many bands were abandoning the "big-studio" model and adopting DIY production ideals made popular by the hardcore punk scene. More musicians recorded and released their own music, and Rode recognized new demand. Starting in 1990, their now-legendary NT1 condenser mic brought studio-quality performance to the emerging, budget-conscious home-studio market. For today's Do-It-Yourselfer, Rode's anniversary edition NT1-A continues the tradition of quality and affordability, with redesigned features for the latest digital recording methods.

True-condenser operation
Most low-cost condenser mics use an electret design, where a small electrical bias, or charge, is permanently attached to the condenser element. This technique is cost effective, but it can't match the quality of the traditional condenser design. Unlike electret mics, the NT1-A is a true condenser microphone, externally biased like its boutique cousins, but at a fraction of the cost. State-of-the-art surface-mount electronics and transformerless circuitry used in the NT1-A make it one of the quietest microphones in the world - at any price range. The internal shockmount system further isolates the mic from its environment to prevent floor vibration and handling noise from entering the signal path. With a self-noise rating of just 5.5 dBA, any audio source can be captured with sparkling brilliance and clarity. Your recorded tracks will be filled with the subtle characteristics that used to only come out of professional studios.

Cardioid pickup pattern
You may worry the NT1-A is too quiet, too pristine for your needs. After all, digital production techniques leave no place for mistakes to hide. Fortunately, Rode designed the mic with a cardioid pickup pattern. Ambient noise from the back and sides of the condenser element are automatically rejected, leaving nothing but your intended source. You get all of what you want, and none of what you don't. Your tracks will be clean and tight, making the editing and mixing process much smoother. Project studios live and die by their output quality and quick turnaround. The NT1-A gives you more of both.

The specs
As with any home recording gear, a microphone must be versatile if it wants to stay in the budget. The NT1-A gives professional results with any input source. It features a wide 132 dB dynamic range and a maximum Sound Pressure Level of 137 dB to cover the quietest cymbal chimes to the boomiest bass parts with equal clarity and presence. The full-range frequency response from 20 Hz to 20 kHz is capable of reproducing whatever you record with spot-on accuracy. Use it as a room mic for rhythm and instrument tracks, then prop it up on a boom stand for rich, warm vocals. Why spend your money on a bunch of 'source-specific' mics, when the NT1-A will do it all?

Get a matched set
For many engineers, the quickest way to a great-sounding track is to set up a pair microphones and record the music in stereo. The thinking is, capture what your ears normally hear and you can't go wrong. If this sounds good to you, Rode offers the NT1-A as an acoustically matched pair. You'll receive a certificate of testing to ensure proper balance and equal sensitivity on each mic. There's no need to compensate between one mic and the next, just set 'em and forget 'em. NT1-A's require 48v phantom power, so be sure your mixer or preamp supports this feature.

Included accessories
Rode includes an external shockmount and soft zippered pouch with an individual mic, or two shockmounts and a molded plastic carrying case with the matched pair.

Behringer XENYX 2442FX Mixer with Effects

Ten XLR inputs, 24 inputs total. Studio-grade 24-bit stereo FX processor


Introducing XENYX: Premium Analog Mixers with USB from BEHRINGER

With close to one million units sold, the UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. Our new XENYX mixers will take you to an even higher plane.

The XENYX 2442FX has 24 inputs and 4 Aux Sends for each channel. Additionally, 4 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic "British" EQ brings back the warmth and musicality of those '60s and '70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.

Select XENYX mixers come with a USB/Audio Interface for direct plug & play connectivity to your Windows or Mac computer. Get your audio to and from any DAW and make your XENYX mixer the perfect globetrotter in both analog and digital worlds.

Features
Premium ultra low-noise, high headroom analog mixer

10 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps

Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound

Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects

USB/Audio Interface included to connect directly to your computer.

Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment

4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)

Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels

4 subgroups with separate outputs for added routing flexibility; 4 multi-functional stereo aux returns with flexible routing

Balanced main mix outputs with 1/4" jack and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs

Control room/phones outputs with multi-input source matrix; Tape inputs assignable to main mix or control room/phones outputs

Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls

Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving

Rack mount brackets included for ultimate flexibility

High-quality components and exceptionally rugged construction ensure long life

Conceived and designed by BEHRINGER Germany

Hercules DJ Console Rmx Pro DJ Controller/Audio Interface

Mobility and stability for production and live performances
The Hercules DJ Console Rmx has been designed to enable mobile DJs as well as club & studio DJs to mix digital music. This "nomadic" device simply connects to the USB port of a PC or Mac laptop. Broad enough in size to allow DJs to mix with unrivalled ease and precision, it is also compact enough to follow users to any event - its measurements (13.8 x 10.7 in.) are equivalent to those of a laptop computer.

For live mixing and seamless integration with the DJ’s professional environment, the DJ Console Rmx features a solid metal casing and non-slip pads guaranteeing perfect stability. Adding to its stability, the device boasts flawless drivers thanks to the competence of the company’s Canadian R&D division and to the expertise acquired by the team over 20 years of experience in computer-assisted audio processing.

Designed for precise, swift mixing
The Hercules DJ Console RMX offers DJs precision and speed in all their moves, thanks to 2 ultra-precise jog wheels for moving within tracks and for scratching, 12 rotary switches, 46 push-buttons, 6 faders - including pitch faders with a center detent - plus an innovative and convenient general volume fader. The roomy layout of the controls allows DJs to perfect fumble-free mixes. Indeed, the controls are designed for quick and intuitive use; DJs will find their marks quickly, allowing them to focus their full attention and ability to the music and the dance floor.

Built-in audio interface with specialized DJing audio features
As an expert in the design of audio interfaces, Hercules determined that the integration of an audio interface featuring 4 inputs & 4 outputs on the Hercules DJ Console Rmx was both obvious and essential. The interface grants access to unique features such as:

4 audio outputs offering:
- Maximum sound over 4 mono 1/4 in. jack outputs, outputting +4dBu for PA equipment,
- Audio output levels at -10dBv over 4 RCA outputs, for connecting consumer devices (hi-fi systems, recording devices etc.)

Simple integration to the DJ’s equipment by means of 2 stereo analog inputs enabling users to mix, via the DJ software, external sources with digital music; the console also features a phono/line-level selector on each input, ideal for connecting turntables, CD or MP3 players and rhythm boxes.

Microphone (with talk-over feature) and headset (for preview feature) connectors are accessible on the console’s upper face and front face, enabling DJs to use the console with unrivalled ease, whether in a flight case, on a DJ stand or on a tabletop!

Dedicated software for optimum digital DJing control
The Hercules DJ Console Rmx comes with VirtualDJ 5 DJC Edition, the reference in the DJing world for PC, now also available for Mac. VirtualDJ 5 DJC Edition instantly connects to the console. The software includes features and settings specific to the Hercules DJ Console Rmx, and combines the power of the VirtualDJ mixing engine with the ergonomics of the Hercules DJ Console Rmx.
The Hercules DJ Console Rmx is a MIDI controller and therefore compatible with other MIDI-controlled software applications.

Compatible with standard DJing digital music libraries
The Hercules DJ Console Rmx enables DJs to mix the music files stored on their PC or Mac in the following formats: MP3, AIFF, WAV, WMA, OGG & CD Audio, as well as the iTunes library.
Technical Info
PC Minimum System Requirements:
1 GHz CPU or higher / 512MB RAM

MS Windows XP / Vista 32-bit

Mac Minimum System Requirements:
1.5GHz CPU or higher / 512MB RAM

Mac OS 10.4 / 10.5

Numark CDMIX2 Dual CD Player/DJ Mixer

The CD Mix-2 combines a Numark DJ mixer with a full-featured dual CD player in one compact unit. The CD Mix-2 takes Numark's popular CD Mix-1 and adds several features requested by DJs around the world. Features include 2 mic inputs with separate EQs, external inputs for 2 phono or 3 line inputs, EQs on each channel, true buffered instant start, seamless looping, blend headphone cue, and Numark's patented anti-shock technology. This self-contained unit is ideal for the DJ's main or backup system, or simple contractor install. Simply plug this unit into a set of powered speakers and your complete system is ready to go.

Numark Cue Professional DJ Software (Windows)

Cue Professional DJ Software
Do it all with Cue. Mix, scratch, juggle and sample with the new standard in DJ software. Play audio and video files at the same time including: DVD, MP3, WMA, ACC, OGG, VOB, WMV, DIVX, MPG, WAV, AVI, Karaoke (CDG) files and more. Innovate on the fly with stability and reliability that you would expect from Numark, the world leader in DJ technology. Join the revolution!

Features:
BPM Detection Engine works with any style of music from House, Hip Hop, and R&B to Rock, Salsa, and Techno

Sync automatically so that your tracks stay on beat and in time

Search your personal music library quickly and easily

Save an infinite number of cue points per song

Multiple skins. Choose your look to match your style of mixing

Headphone preview and adjustable cue/mix volume

Choose from a variety of video effects and transitions

Flexible Audio I/O
Whether you use just your computer and headphones, a multi-channel ASIO sound card, an external DJ mixer, a Numark USB mixer, or a combination of hardware, Cue has multiple configuration options ready and waiting for you to plug into. As simple or as detailed as you want it to be, Cue's flexible audio configuration is ready to fit in with your setup.

Rhythm Window
See your music: with a visual waveform overlay of beats, you can have 100% mixing accuracy. Multiple zoom levels for beat matching precision and complete control.

Browse, Search, Sort
Navigate your music collection quickly and intuitively. Remember the title but not the artist? Search! Type in a keyword and you're taken immediately to your results. Sort by title, artist, BPM, and more. Add songs to the Playlist for quick access and Automix capabilities.

Hardware Compatibility
Introduce your computer to the Numark iCDX for ultimate hands-on control with 2 way display and extended control. Use your MIDI controller; assign any and all of Cue's controls like crossfader, gain, pitch adjust, samples, hot cues, and more to any standard MIDI controller.

Skins
Choose the interface look you want based on your style of mixing.

Basic
Just want 2 decks? Use this skin for powerful simplicity.

Power Audio
Ready for effects and more? Power audio takes you to the next level.

Internal Mixer
Need to travel light? For more on-screen EQ and Fader control, use the Internal Mixer interface.

Spice it Up
Choose from a variety of built-in effects or create your own plug-in. Activate as many effects at once as you like. With fully adjustable effect parameters, you have the power to add just a hint of Flanger or a blast of Backspin.

Scratch It
Scratch and Pitch Bend directly with your mouse. Just click and drag the Control Dome to take charge of the decks. Choose between BPM or pitch % views by clicking on the dome.

Sample and Loop It
Create beat-matched samples and loops on the fly. Choose from preset samples or load your own. Beatlock your samples so they trigger and play on beat every time. Loop quickly and easily from 1/8th note to 16 bars, and with SmartLoop, you're automatically on beat.

Record and Broadcast
Record your mix, burn it to a CD, and give it to your friends. Or go global with a click of the mouse - Broadcast! Invite a worldwide audience to your performance by using Cue's built-in broadcast functionality.

Karaoke
With CDG support, you can easily have the crowd singing along.

Video
Mix and scratch your favorite video and audio files interchangeably with video transitions and effects. With Cue, every DJ is also a VJ. Project it on a wall, show it on your TV, or view it on a monitor. Make your set come alive with video!
Technical Info
System Requirements

Minimum:
PIII 850 MhZ computer
1024x768 SVGA video
DirectX compatible soundcard
256 MB RAM
40 MB free on the hard-drive

Recommended:
P4 3 GhZ computer
DirectX Video Card such as:
Nvidia Geforce 6600 or higher or ATI 9800 or higher
4.1 DirectX compatible soundcard (with front and rear separate outputs)
1 GB RAM
200 MB free on the hard-drive

Boss FV50L Stereo Volume Pedal - Low Impedance, Keyboards The FV50L/50H are volume pedals that can be used for a variety of purposes from distortion control of effects units to a violin volume control.

The FV50L/50H are volume pedals that can be used for a variety of purposes from distortion control of effects units to a violin volume control. The high-impedance FV50H is designed to be connected before guitar effect units in the signal chain. High-frequency roll-off is minimized, and the best possible guitar sound is obtained. Use the low-impedance FV50L when you want your volume pedal to be connected after effect units or used for keyboards.
Technical Info
Special 2-in/2-out design enables direct control of stereo keyboards and stereo effects units.

Minimum Volume knob lets you set minimum volume at any level you desire.

Convenient Tuner Out jack enables speedy tuning on stage.

Numark BP Battle Pak All In One DJ System

Battle Pak v. 4
Nobody else does "DJ in a Box" like Numark. Their packages include everything you need to start spinning like a pro, right out of the box. With a range of packages to meet any budget, there's no excuse not to start spinning today.

Features
(2) TT1625 multi-directional direct drive turntables with aluminum platters

DM950 2 channel + mic mixer, EQ on each channel, slider style cuing

HF125 flexible 7-position dual headphone

(2) Groove Tool cartridges and slipmats