$495.00
3 EASY Payments of $165.00
Boss DR-880 Features
440 world-class drum and percussion sounds, 40 bass sounds with COSM bass-amp models
Three independent insert effects (EQ and compression), TSC (Total Sound Control) featuring 3-band EQ and high-quality ambience
1,000 patterns (500 preset, 500 user); easily add fills, ghost notes, chord progressions, and more
20 velocity-sensitive pads
Guitar/bass input, plus multi-effects and COSM amp models
100 effect patches (50 Preset, 50 User) for electric, acoustic, and bass guitars
Four assignable footswitch and expression-pedal inputs
Digital and individual outputs; USB port for importing SMFs
Boss DR-880 Details
World-Class Sounds
A remarkable new collection of top-quality, custom sounds was created for the DR-880. But Boss didn’t stop there; some of the most famous sounds from their renowned Roland SRX library were added to the DR-880’s sound-set, as well as electric and synth bass sounds. From rich, sparkling studio drums and deep-dish electronic kits to standard and exotic percussion instruments, a world of rhythm and groove is at your fingertips.
Direct Guitar/Bass Input
Guitar and bass players can join the action by plugging directly into the DR-880’s Guitar/Bass Input jack. Guitarists can play through the built-in COSM Drive/Amp models, and multi-effects such as chorus/flanger/phaser, delay, and reverb. For acoustic guitar, the DR-880 offers an Acoustic Processor, chorus, and reverb. For bass players, the compressor/limiter, chorus/flanger/phaser, delay, and COSM® bass amp models will help you cook up extra-tasty bass lines.
EZ Compose
You can get microscopic with the DR-880, but you also have the option of taking the simple route with its three EZ Compose buttons on the front panel, which allow original patterns to be constructed without note-by-note programming hassles. Using the Pattern mode, you can select and combine pre-programmed phrase combinations to create new patterns. Press the Chord Progression button to select chord-progression templates. With the Fill-In button, you can select phrases from the Fill-In library, and insert them into the pattern. The library contains a variety of phrases, ranging from simple fills to bombastic breaks.
Connectivity
Play through headphones or route your signal from the DR-880 directly to your choice of recording input or amplification, including outboard guitar amps. Quick output adjustments can be made in the Output Select mode to facilitate proper connection to the outside world. Two individual Outs allow independent output of backing tracks and guitars, or independent output of kick and snare. The DR-880 has two stereo footswitch/controller inputs; a maximum of four footswitches can be connected using stereo 1/4" cables (sold separately). One of the footswitch/controller jacks supports expression pedal input, so you can connect an EV-5 (sold separately) to control guitar volume, or play wah effects. The DR-880 also has a S/PDIF digital out and a USB port for MIDI interfacing and SMF Data import.
Groove Modify
Take your grooves even deeper with the Groove Modify feature, which applies various groove and triplet feels to your patterns. Simply select the templates that are included, and inject realistic feels to static patterns. Ghost notes can also be added automatically by selecting the ghost-note phrases that are preset in the DR-880.
ITs a real simple machine to use, Fun to play and great to have.
Make any type of beat, Hip hop, Trance, and even Rock.
Sunday, March 15, 2009
Wednesday, October 29, 2008
Behringer DSP1124P Feedback Destroyer Pro
Digital 24-bit feedback suppressor. Parametric EQ with 24 full parametric filters.
You know the situation: your system is perfectly set up and carefully equalized. You've done everything possible to avoid problems. Then it happens: a mic too close to a speaker... ear-splitting feedback. Switch on a DSP1124P and you'll hear the difference immediately. Within fractions of a second, the Feedback Destroyer Pro's ingenious search algorithm locates feedback frequencies and sets extremely narrow, 1/60-octave filters, leaving the desired signal virtually untouched. The result: a rich, full sound without feedback. And without headaches.
Features
Digital 2-channel feedback suppressor/parametric EQ based on a high-power 24-bit DSP
20-bit A/D and D/A converters with 64/128 times oversampling
Automatically searches and suppresses feedback frequencies
24 programmable, fully parametric filters, adjustable manually or via MIDI
Single-Shot, Auto and Manual mode selectable for each filter
24-bit internal processing, professional 46-kHz sampling rate
Servo-balanced inputs and outputs with XLR and 1/4 in. TRS connectors
Internal power supply for professional use
Extensive MIDI implementation
Super-precise 8-segment LED level meters
"Future-proof" updatable software architecture
Technical Info
Analog Inputs Connectors: XLR and 1/4 in. jack
Analog Outputs Connectors: XLR and 1/4 in. jack
Bandwidth: 20 Hz to 20 kHz, -3 dB
Noise: > 94 dB, unweighted, 20 Hz to 20 kHz
THD: 0.0075 % typ. @ +4 dBu, 1 kHz, Gain 1
Crosstalk: < -76 dB
MIDI Interface: Type 5-Pin-DIN-Socket IN/OUT/THRU
Digital Processing: Converters 20-bit Sigma-Delta, 64/128x oversampling
Display: Type 2 1/2-digit numeric LED-Display
Power Consumption max. 15 Watts
Dimensions (H x W x D): 1-3/4 x 19 x 7-1/2 in. (44.5 x 482.6 x 190.5 mm)
Net Weight: 2 kg, approximately
Shipping Weight: 3 kg, approximately
You know the situation: your system is perfectly set up and carefully equalized. You've done everything possible to avoid problems. Then it happens: a mic too close to a speaker... ear-splitting feedback. Switch on a DSP1124P and you'll hear the difference immediately. Within fractions of a second, the Feedback Destroyer Pro's ingenious search algorithm locates feedback frequencies and sets extremely narrow, 1/60-octave filters, leaving the desired signal virtually untouched. The result: a rich, full sound without feedback. And without headaches.
Features
Digital 2-channel feedback suppressor/parametric EQ based on a high-power 24-bit DSP
20-bit A/D and D/A converters with 64/128 times oversampling
Automatically searches and suppresses feedback frequencies
24 programmable, fully parametric filters, adjustable manually or via MIDI
Single-Shot, Auto and Manual mode selectable for each filter
24-bit internal processing, professional 46-kHz sampling rate
Servo-balanced inputs and outputs with XLR and 1/4 in. TRS connectors
Internal power supply for professional use
Extensive MIDI implementation
Super-precise 8-segment LED level meters
"Future-proof" updatable software architecture
Technical Info
Analog Inputs Connectors: XLR and 1/4 in. jack
Analog Outputs Connectors: XLR and 1/4 in. jack
Bandwidth: 20 Hz to 20 kHz, -3 dB
Noise: > 94 dB, unweighted, 20 Hz to 20 kHz
THD: 0.0075 % typ. @ +4 dBu, 1 kHz, Gain 1
Crosstalk: < -76 dB
MIDI Interface: Type 5-Pin-DIN-Socket IN/OUT/THRU
Digital Processing: Converters 20-bit Sigma-Delta, 64/128x oversampling
Display: Type 2 1/2-digit numeric LED-Display
Power Consumption max. 15 Watts
Dimensions (H x W x D): 1-3/4 x 19 x 7-1/2 in. (44.5 x 482.6 x 190.5 mm)
Net Weight: 2 kg, approximately
Shipping Weight: 3 kg, approximately
DBX 120A Subharmonic Synthesizer
Produces a new bass note exactly an octave below the bass in the original audio.
Why just rock the house when you can rattle the foundation loose! For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJs and film & sound professionals to produce amazing impact. The dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. Its two separate bands of bass synthesis provide the best combination of smoothness and control. Low Frequency Boost helps you get the most out of high-performance low frequency speaker systems. Flexible I/O includes 1/4 in. and RCA inputs, main outputs which can be full range (including synthesis) or high frequency only, and a separate subwoofer out with its own level control.
Technical Info
Specifications
Frequency Response:
- 20 Hz-20kHz +/- 0.5dB (no synthesis, full-range mode)
- 15 Hz-90kHz +0, -3dB
Input Impedance:
- >40k ohms balanced
- 20k ohms unbalanced (1/4 in.)
- 20k ohms unbalanced (RCA)
Maximum Input Level: +22dBu (1/4 in.), +8.5 dBv (RCA)
Output Impedance: 100 ohms, Impedance balanced
Maximum Output Level: +22dBu into 600 ohms
Connector Type:
- 1/4 in. TRS jacks (Inputs and Outputs)
- RCA (Inputs)
THD: 0.05% (no synthesis, either output)
Output Noise: -88dBu, controls@max, 22Hz>22kHz unweighted (full range output)
Dynamic Range: 112 dB
Synthesis Frequency Range: 26-56Hz (from 54-110Hz input signal)
Dimensions: 1.75 x 19 x 6.2 in. (4.5 x 48.3 x 15.75 cm)
Rack Space: 1 Rack Unit
Weight: 4.75 lbs
Why just rock the house when you can rattle the foundation loose! For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJs and film & sound professionals to produce amazing impact. The dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. Its two separate bands of bass synthesis provide the best combination of smoothness and control. Low Frequency Boost helps you get the most out of high-performance low frequency speaker systems. Flexible I/O includes 1/4 in. and RCA inputs, main outputs which can be full range (including synthesis) or high frequency only, and a separate subwoofer out with its own level control.
Technical Info
Specifications
Frequency Response:
- 20 Hz-20kHz +/- 0.5dB (no synthesis, full-range mode)
- 15 Hz-90kHz +0, -3dB
Input Impedance:
- >40k ohms balanced
- 20k ohms unbalanced (1/4 in.)
- 20k ohms unbalanced (RCA)
Maximum Input Level: +22dBu (1/4 in.), +8.5 dBv (RCA)
Output Impedance: 100 ohms, Impedance balanced
Maximum Output Level: +22dBu into 600 ohms
Connector Type:
- 1/4 in. TRS jacks (Inputs and Outputs)
- RCA (Inputs)
THD: 0.05% (no synthesis, either output)
Output Noise: -88dBu, controls@max, 22Hz>22kHz unweighted (full range output)
Dynamic Range: 112 dB
Synthesis Frequency Range: 26-56Hz (from 54-110Hz input signal)
Dimensions: 1.75 x 19 x 6.2 in. (4.5 x 48.3 x 15.75 cm)
Rack Space: 1 Rack Unit
Weight: 4.75 lbs
Numark Fusion 494 CD DJ Package
Everything to get started: (2) Axis 4 CD players, DM950 Mixer and HF125 Headphones
Axis 4 Cd Player Features
Two seamless loop points and three stutter starts for creative expression
Built-in tap BPM counters
Fader/remote start and relay capability
? 8/16% pitch bend capability via rubberized pitch control wheel
Laser shutoff mode and auto-retractable media trays ensure reliable operation
DM950 Mixer Features
Switchable inputs accommodate upward of four line level signals, two phono inputs, and a microphone
Two-band rotary EQ, independent gain control, and Phono/Line switches on each channel
Replaceable crossfader
HF125 Headphone mixer
Flexible, 7-position independently adjustable dual ear cups
Large 40mm Mylar drivers
6-ft tangle resistant cord with a 1/4-inch
phone plug connector
Numark DJ in a Box DJ Package
2 TT1550 belt-drive turntables. DM950 2-channel + mic mixer. HF125 flexible 7-position dual headphones
The Numark BattlePack DJ In A Box has everything a DJ needs to spin. That is, everything but records. This DJ package from Numark contains 2 x TT1550 multi directional efficient belt-drive turntables, a DM950 2-channel + mic mixer with EQ on each channel and slide style cueing, and HF125 flexible 7-position dual headphones.
HF-125 Headphones
Flexible 7-position independently adjustable dual ear cups
Large 40mm mylar speaker drivers
6 ft. tangle-resistant cord with ? in. (6.3mm) plug
Padded headband & ear cups
The Numark BattlePack DJ In A Box has everything a DJ needs to spin. That is, everything but records. This DJ package from Numark contains 2 x TT1550 multi directional efficient belt-drive turntables, a DM950 2-channel + mic mixer with EQ on each channel and slide style cueing, and HF125 flexible 7-position dual headphones.
HF-125 Headphones
Flexible 7-position independently adjustable dual ear cups
Large 40mm mylar speaker drivers
6 ft. tangle-resistant cord with ? in. (6.3mm) plug
Padded headband & ear cups
Hosa MSK411 Musician's Survival Kit
Adaptors, connectors, Y-cables and accessories in a handy carrying case
Essential Adaptors, Connectors, Y-Cables, and Accessories That Might Just Save Your Gig Tonight!
When the gig is on the line and something unexpected happens, it's nice to know that you're prepared. Throw Hosa's Musician's Survival Kit into your gig bag and you'll have at your fingertips the most useful collection of adaptors, connectors, Y-cables and accessories imaginable. These pro-quality items are indispensable for the repairs and "workarounds" that you may need to keep the show on the road!
Technical Info
Adaptors:
2 - GPR-101 RCA Female to 1/4 in. Male
2 - GPR-104 1/4 in. Female to RCA Male
1 - GPP-105 Coupler: 1/4 in. Female to 1/4 in. Female (Works with Stereo or Mono)
1 - GPM-103 Headphone Adaptor: 3.5mm Stereo Female to 1/4 in. Stereo Male
1 - GMP-112 Headphone Adaptor: 1/4 in. Stereo Female to 3.5mm Stereo Male
1 - GXP-143 XLR Female to 1/4 in. Male (Works with Balanced or Unbalanced)
1 - GXP-246 XLR Male to 1/4 in. Male (Works with Balanced or Unbalanced)
Connectors:
2 - Dual Banana Connectors (1 Red, 1 Black)
1 - PLG-025 Mono 1/4 in. Plug
Y-Cables
1 - YPP-111 Mono 1/4 in. Male to Two Mono 1/4 in. Females
1 - YPP-117 Stereo 1/4 in. Male to Two Mono 1/4 in Females
Accessories:
1 - MHR-225-100 Microphone Holder (25mm)
1 - WTI-148G Hook & Loop Cable Wraps (5 pieces)
12 - RMC-180 Rack Screws and Washers
Essential Adaptors, Connectors, Y-Cables, and Accessories That Might Just Save Your Gig Tonight!
When the gig is on the line and something unexpected happens, it's nice to know that you're prepared. Throw Hosa's Musician's Survival Kit into your gig bag and you'll have at your fingertips the most useful collection of adaptors, connectors, Y-cables and accessories imaginable. These pro-quality items are indispensable for the repairs and "workarounds" that you may need to keep the show on the road!
Technical Info
Adaptors:
2 - GPR-101 RCA Female to 1/4 in. Male
2 - GPR-104 1/4 in. Female to RCA Male
1 - GPP-105 Coupler: 1/4 in. Female to 1/4 in. Female (Works with Stereo or Mono)
1 - GPM-103 Headphone Adaptor: 3.5mm Stereo Female to 1/4 in. Stereo Male
1 - GMP-112 Headphone Adaptor: 1/4 in. Stereo Female to 3.5mm Stereo Male
1 - GXP-143 XLR Female to 1/4 in. Male (Works with Balanced or Unbalanced)
1 - GXP-246 XLR Male to 1/4 in. Male (Works with Balanced or Unbalanced)
Connectors:
2 - Dual Banana Connectors (1 Red, 1 Black)
1 - PLG-025 Mono 1/4 in. Plug
Y-Cables
1 - YPP-111 Mono 1/4 in. Male to Two Mono 1/4 in. Females
1 - YPP-117 Stereo 1/4 in. Male to Two Mono 1/4 in Females
Accessories:
1 - MHR-225-100 Microphone Holder (25mm)
1 - WTI-148G Hook & Loop Cable Wraps (5 pieces)
12 - RMC-180 Rack Screws and Washers
Saturday, October 25, 2008
PreSonus Monitor Station Studio Control Center
Provides talkback, speaker switching, input source switching and four ultra loud and clear headphone amplifiers
The PreSonus Monitor Station is the ultimate desktop monitoring and communications system for your recording studio. Based on the award-winning Central Station, the Monitor Station provides talkback, speaker switching, input source switching and four ultra loud and clear headphone amplifiers delivering everything you need to control your recording environment.
Features
Main speaker volume adjustment
3 stereo inputs (two balanced TRS, one RCA Aux/Phono)
Three sets of balanced TRS speaker outputs each with level adjustment
Talkback microphone with volume control to feed headphone and Cue output
XLR input for external dynamic talkback microphone
Accurate dual 8-segment LED for metering
4 loud and clear headphone amplifiers with separate volume control and independent input source selection
Main and Cue stereo output with independent input source selection
Dim with variable level adjustment
Aux and Phono level adjustment
Mute and Mono
Input Switching
The Monitor Station allows you connect up to three input audio streams (TRS1, TRS2, Aux/Phono) allowing you to switch between and compare different inputs. One application is used to connect your computer recording system main outputs to the TRS 1 inputs and a CD player's outputs to the Aux inputs on the Monitor Station to compare your mix with a commercial CD with the touch of a button.
Speaker Switching
Three sets of speaker outputs are loaded on the Monitor Station allowing you to audition your mix on different speakers to take the guessing out of how your mixes will translate in the real world.
Main and Cue Routing
The Monitor Station allows each of the stereo inputs (TRS1, TRS2, aux) to be routed to one of two audio paths, main and cue. The Monitor Station allows you to route two separate signals (Main and Cue) to each of the four headphone amplifiers. Send a mix with click track to TRS 2 input while sending the main mix to TRS 1. You can then enable the headphone amplifiers to listen to either cue or main mix. The main audio path always feeds what you will hear in the control room.
Total Communication
Communication during recording is essential. No more yelling when you need to talk to the musicians wearng headphones. Use the Monitor Station talkback system with onboad or external microphone to communicate with the musicians.
Customize Your Monitor Station
Three different functions on the Monitor Station can be set and saved during power up so that you can customize your recording system for the way you work.
Input selection can be set in either summing mode (TRS1, TRS2, and Aux/Phone are summed together when engaged), or in toggle mode (TRS1, TRS2, and Aux/Phono can only be selected one at a time).
Speaker selection can either work in all on mode (speaker A, B and C can be engaged simultaneously), in toggle mode (speaker A, B, and C can only be selected one at a time), or in subwoofer mode (A and B are selectable while C can be selected with A or B).
The Monitor Station's LED signal meters can also be set in three different modes for various signal levels (-10dB, +4dB and +10dB).
Headphone Amplifiers that go to 11
PreSonus has built a reputation for delivering the best-sounding headphone amplifiers available. Each of the four headphone amplifiers loaded in the Monitor Station deliver 150 milliwatts and are able to power any headphone with as much loud and clear volume needed for everyone in the band, including the drummer.
Technical Info
Audio Inputs
ST1 and ST2:
- Type: 1/4 inch TRS Active-Balanced
- Input Impedance: 10K Ohm
- S/N Ratio: Greater than 110dB
- THD+N: Less than .0075% (1Khz @ 0dBu)
- Frequency Response: 10Hz to 65KHz, -.5dB
- Noise Floor: -96dBu, 20Hz to 20KHz, 150 Ohm Input Termination
- Maximum Input Level: +22dBu, 0.5%THD+N
AUX:
- Type: RCA Active-Unbalanced
- Input Impedance: 47K Ohm
- S/N Ratio: Greater than 115dB (1KHz @ 0dBu, Unity gain)
- THD+N: 0.01% (1KHz @ 0dBu, Unity gain)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to +10dB
- Phono Mode Gain: 32dB @ 1KHz
- Phono Mode THD+N: 0.05%
- Phono Mode Noise Floor: -72dBu, 40dB gain, Inputs shorted
Audio Outputs
Speakers:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- Trim Range: -80dB to 0dB
- Main Level Range: -80dB to 0dB
- Dim Attenuation Range: -30dB to -6dB
Main:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than 0.0025%
- Frequency Response: 10Hz-50KHz, -.5dB
Cue:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than .003% (1KHz @ 0dBu)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to 0dB
- Dim Attenuation: -20dB (Talkback activated)
Headphones:
- Type: 1/4 inch TRS Active Stereo
- Maximum Output: 150mW/channel @ 60 Ohm load
- THD+N: 0.015% (150mW/channel @ 60 Ohm load)
- Frequency Response: 10Hz-50KHz, +1dB
Talkback
Dynamic Microphone Input:
- Type: XLR Female Balanced
- Input Impedance: 2400 Ohm
Internal Microphone:
- Type: Electret Condenser
- Sensitivity: -42dB
Mic Preamp:
- Gain Range: 15-55dB
Input Meters:
- Type: Dual 8 segment LED w/ Peak Hold
- Range: -26dBfs to 0dBfs
Power Supply
Type: External A.C. Transformer/Internal Linear
Power Consumption: 10VA
The PreSonus Monitor Station is the ultimate desktop monitoring and communications system for your recording studio. Based on the award-winning Central Station, the Monitor Station provides talkback, speaker switching, input source switching and four ultra loud and clear headphone amplifiers delivering everything you need to control your recording environment.
Features
Main speaker volume adjustment
3 stereo inputs (two balanced TRS, one RCA Aux/Phono)
Three sets of balanced TRS speaker outputs each with level adjustment
Talkback microphone with volume control to feed headphone and Cue output
XLR input for external dynamic talkback microphone
Accurate dual 8-segment LED for metering
4 loud and clear headphone amplifiers with separate volume control and independent input source selection
Main and Cue stereo output with independent input source selection
Dim with variable level adjustment
Aux and Phono level adjustment
Mute and Mono
Input Switching
The Monitor Station allows you connect up to three input audio streams (TRS1, TRS2, Aux/Phono) allowing you to switch between and compare different inputs. One application is used to connect your computer recording system main outputs to the TRS 1 inputs and a CD player's outputs to the Aux inputs on the Monitor Station to compare your mix with a commercial CD with the touch of a button.
Speaker Switching
Three sets of speaker outputs are loaded on the Monitor Station allowing you to audition your mix on different speakers to take the guessing out of how your mixes will translate in the real world.
Main and Cue Routing
The Monitor Station allows each of the stereo inputs (TRS1, TRS2, aux) to be routed to one of two audio paths, main and cue. The Monitor Station allows you to route two separate signals (Main and Cue) to each of the four headphone amplifiers. Send a mix with click track to TRS 2 input while sending the main mix to TRS 1. You can then enable the headphone amplifiers to listen to either cue or main mix. The main audio path always feeds what you will hear in the control room.
Total Communication
Communication during recording is essential. No more yelling when you need to talk to the musicians wearng headphones. Use the Monitor Station talkback system with onboad or external microphone to communicate with the musicians.
Customize Your Monitor Station
Three different functions on the Monitor Station can be set and saved during power up so that you can customize your recording system for the way you work.
Input selection can be set in either summing mode (TRS1, TRS2, and Aux/Phone are summed together when engaged), or in toggle mode (TRS1, TRS2, and Aux/Phono can only be selected one at a time).
Speaker selection can either work in all on mode (speaker A, B and C can be engaged simultaneously), in toggle mode (speaker A, B, and C can only be selected one at a time), or in subwoofer mode (A and B are selectable while C can be selected with A or B).
The Monitor Station's LED signal meters can also be set in three different modes for various signal levels (-10dB, +4dB and +10dB).
Headphone Amplifiers that go to 11
PreSonus has built a reputation for delivering the best-sounding headphone amplifiers available. Each of the four headphone amplifiers loaded in the Monitor Station deliver 150 milliwatts and are able to power any headphone with as much loud and clear volume needed for everyone in the band, including the drummer.
Technical Info
Audio Inputs
ST1 and ST2:
- Type: 1/4 inch TRS Active-Balanced
- Input Impedance: 10K Ohm
- S/N Ratio: Greater than 110dB
- THD+N: Less than .0075% (1Khz @ 0dBu)
- Frequency Response: 10Hz to 65KHz, -.5dB
- Noise Floor: -96dBu, 20Hz to 20KHz, 150 Ohm Input Termination
- Maximum Input Level: +22dBu, 0.5%THD+N
AUX:
- Type: RCA Active-Unbalanced
- Input Impedance: 47K Ohm
- S/N Ratio: Greater than 115dB (1KHz @ 0dBu, Unity gain)
- THD+N: 0.01% (1KHz @ 0dBu, Unity gain)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to +10dB
- Phono Mode Gain: 32dB @ 1KHz
- Phono Mode THD+N: 0.05%
- Phono Mode Noise Floor: -72dBu, 40dB gain, Inputs shorted
Audio Outputs
Speakers:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- Trim Range: -80dB to 0dB
- Main Level Range: -80dB to 0dB
- Dim Attenuation Range: -30dB to -6dB
Main:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than 0.0025%
- Frequency Response: 10Hz-50KHz, -.5dB
Cue:
- Type: 1/4 inch TRS Active-Impedance Balanced
- Output Impedance: 51 Ohm
- THD+N: Less than .003% (1KHz @ 0dBu)
- Frequency Response: 10Hz-50KHz, -.5dB
- Gain Range: -80dB to 0dB
- Dim Attenuation: -20dB (Talkback activated)
Headphones:
- Type: 1/4 inch TRS Active Stereo
- Maximum Output: 150mW/channel @ 60 Ohm load
- THD+N: 0.015% (150mW/channel @ 60 Ohm load)
- Frequency Response: 10Hz-50KHz, +1dB
Talkback
Dynamic Microphone Input:
- Type: XLR Female Balanced
- Input Impedance: 2400 Ohm
Internal Microphone:
- Type: Electret Condenser
- Sensitivity: -42dB
Mic Preamp:
- Gain Range: 15-55dB
Input Meters:
- Type: Dual 8 segment LED w/ Peak Hold
- Range: -26dBfs to 0dBfs
Power Supply
Type: External A.C. Transformer/Internal Linear
Power Consumption: 10VA
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